The Russian Academy of Arts invites you to attend MOROZOV READINGS: International Research Conference organized by the Russian Academy of Arts, M. Lomonosov Moscow State University, Association of Art Historians and International Confederation of Artists’ Unions in honor of the 70th birth anniversary of Alexander Morozov. The Conference will take place in the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow on November 24-25, 2011.

MOROZOV READINGS: International Research Conference in Honor of the 70th Birth Anniversary of Alexander Morozov (1941-2010)

November 24-25, 2011

Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow

CONFERENCE PROGRAM

November 24, 2011

10.30 – Registration of participants
11.00 – Opening of the Conference
Opening speeches:
- Vladimir Goryainov, Chairman of the Association of Art Historians
- Dmitry Shvidkovsky, the Russian Academy of Arts
- Elena Gribonosova-Grebneva, M. Lomonosov Moscow State University
- Lidya Iovleva, the State Tretyakov Gallery
- Andrey Tolstoy, A. Pushkin State Museum of Fine Arts
- Masut Fatkulin, the International Federation of Artists’ Unions
- Mickhail Busev, the Research Institute of Theory and History
of Fine Arts of the Russian Academy of Arts
- Galina Konechna, “Galart” Publishing House

Morning Session
Led by Mickhail Busev, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (RAA)

Mickhail Lazarev, the Research Institute of Theory and History of Fine Arts of RAA
Alexander I. Morozov – Art Historian

Alexander Yakimovich, the Research Institute of Theory and History of Fine Arts of RAA
The 20th Century. The Delayed Message to Sascha Morozov

Vera Chaikovskaya, the Research Institute of Theory and History of Fine Arts of RAA
Alexander Morozov as a Creative Personality with Internal Drive

Elena Rymshina, A. Pushkin State Museum of Fine Arts
Alexander Morozov’s Museum Concepts

Nina Golenkevich, the Yaroslavl Art Museum
The Collection of the 20th Century Art in the Holdings of the Yaroslavl Art Museum. The Concept of 2011 Exposition

Lyudmila Kuvshinskaya, A.V. Grigoriev Kozmodemyansky Art and History Museum, the Republic of Mary El
The Kozmodemyansk Collection of Graphic Art. The State Museum Fund of the Department of Fine Arts of Narkompros (People’s Commissariat of Education in 1919-1921)

Dzhamilya Daghirova, P.S. Gamzatova Dagestan Museum of Fine Arts
The Secular and Soviet Origins of Dagestan Fine Arts

14.30-15.00 – Coffee Break

15.00 - Afternoon Session
Led byElena Gribonosova-Grebneva, M. Lomonosov Moscow State University

Zhaukhar Appaeva, the Union of Artists of the Kabardin-Balkar Republic
The Formation of Kabardin- Balkar Fine Arts

Natalia Rosenberg, A. Hertsen State Teachers’ Training University
Deliverance from Stereotypes. The Art of Finno-Ugric and Turkic Peoples of the Volga Region and the Urals in the Soviet and Post-Soviet Periods

Irina Klyueva, N.P. Ogarev Mordovian State University
“The Soviet” and “Non-Soviet” in the Creative Work by Stepan Erzya

Galina Trifonova, the South-Urals State University
The Artistic Consciousness and Processes of Self-Organization in the Regional Art of the Late 1950s – 1980s

Lilia Ovchinnikova, the Tomsk Regional Art Museum
The Triumph of Art: a Siberian Episode

Tatyana Kruglova, B.N. Yeltsyn Urals Federal University
The Urals Industrial Painting: Unpremeditated Meanings of the Soviet History of Labor and Worker

Larisa Danilova, the Novokuznetsk Art Museum
Novokuznetsk Artists: Searches for the Escape from the Deadlock of These Days

Rauza Sultanova, G. Ibraghimbekov Institute of the Language, Literature and Art of the Academy of Sciences of the Republic of Tatarstan
The Set Design of the Tatar Theater in the 1940s – 1950s in the Concept of the Stage Director V. Bebutov (G. Kamal Tatar State Academic Theater as an Example)

Irina Balashova, the Vologda Regional Picture Gallery
The Industrial Theme in the Creative Work of A.V. Panteleev in the Context of the Soviet Industrial Landscape

November 25, 2011

11.00 – Morning Session
Led by Natalia Rosenberg, A. Hertsen State Teachers’ Training University

Elena Gribonosova-Grebneva, M. Lomonosov Moscow State University
The Searches for a Synthetic Style in Russian Art in the 1920s

Andrey Epishin, the Research Institute of Theory and History of Fine Arts of RAA
The “Homo Futurus” in the Early Soviet Art. The Myth, Project and Result

Tatyana Efrussy, the Museum of the Moscow Institute of Architecture
The Artists of the Bauhaus in the USSR: Hinnerk Scheper, Erich Borchert and “Malyarstroy” Trust

Aram Asoyan, St. Petersburg Trade Unions University for the Humanities
Crystallography as a Metaphor of Pavel Filonov’s “Analytical Method”

Irina Skvortsova, P.I. Chaikovsky Moscow State Conservatoire
The Fate of Stalin’s “Fellow Travellor”. Gavriil Popov - Composer of the Russian Avant-Garde

Lada Balashova, Essex University, Department of the Humanities, Great Britain
Neoclassical Topic in the Creative Work by Pablo Picasso and Peter Konchalovsky in the 1920s

Alexandra Strukova, the State Institute of Art History
The Landscape in the Work by Members of the Leningrad Society “The Artists’ Circle”: About How the “Bad” Genre Became the Only Possible

Tatyana Plastova, V. Surikov Moscow State Academy Art Institute
Stylistic Tendencies in the Painting by A.A. Plastov in the 1920s-1950s in the Context of European Art Traditions

Tamara Kruzhkova, the State Tretyakov Gallery
Themes and Genres of the “Stern Style”. The Center and the Republics

Olga Polyanskaya, the State Tretyakov Gallery
Five Shades of the Red: Peculiarities of the Formation of the Professional Fine Arts in the Republics of Middle Asia and Kazakhstan in the Soviet Period

14.30-15.00 – Coffee Break

15.00 – Afternoon Session Led by Olga Kalughina

Ekaterina Bobrinskaya, the State Institute of Art History Disciplinary Spaces

Anna Florkovskaya, V. Surikov Moscow State Art Institute
The Studio of Nickolai Sinitsyn. On the Issue of the Moscow Art Education of the Second Half of the 20th Century

Anna Chudetskaya, A. Pushkin State Museum of Fine Arts
The Strategy of Escapism? Some Aspects of the Study the Creative Work by Vladimir Weisberg (1924-1985)

Nadezhda Musyankova, the State Tretyakov Gallery
Mysteries of Mickhail Kulakov (Dramatic Act as a Quintessence of Abstract Painting)

Tatyana Babikova, the Omsk State Teachers’ Training University
The “Other” Romanticism of Nickolai Babin

Marina Moskalyuk, the Siberian Federal University
The Late Soviet Art of the Krasnoyarsk Region: the Senses in Brackets and behind the Brackets…

Irina Riznychok, the Ekaterinburg Museum of Fine Arts
The Generation after the 1980s. The Painting of Official Masters in the Time of the “Restructuring”

Elizaveta Malinovskaya. Association of Art Historians, Kazakhstan
The Soviet Art in the Post-Soviet Exhibition Space: Private Galleries

Valery Sluzhivtsev, The State University of Yugra, Khanty-Mansiysk
The Image and “Post-Image” in Contemporary Art

RUSSIA-ITALY-SPAIN: ARTISTIC RELATIONS
International Research Conference (XXI Alpatov Readings) In Honor of
Russia-Italy and Russia-Spain Cross Culture Year 2011

The Russian Academy of Arts invites you to attend the International Research Conference (XXI Alpatov Readings) “Russia-Italy-Spain: Artistic Relations” that will take place in Tsereteli Art Gallery (Apple Hall), 19 Prechistenka street on November 30 – December 1-2, 2011. Morning sessions – at 11.00 am. The Conference in honor of Russia-Italy and Russia-Spain Cross Culture Year 2011 has been organized by the Russian Academy of Arts in partnership with the Russian Academy of Sciences.

CONFERENCE PROGRAM

November 30, 2011 (Wednesday) 10.30 – Registration of participants (Tsereteli Art Gallery, 19 Prechistenka street, Moscow)
11.00 – Opening of the Conference
Opening speeches:
- Zurab Tsereteli, President of the Russian Academy of Arts
- Adriano Dell’Asta, Director of the Italian Institute of Culture in Moscow

Morning Session Led by the Vice-President of the Russian Academy of Arts, Doctor of Art History D.O. Shvidkovsky

D.O. Shvidkovsky, Doctor of Art History, Vice-President of the Russian Academy of Arts, Academician-Secretary of the Department of Art History and Art Criticism of the Russian Academy of Arts, Moscow
The History of Russian-Italian Relations

K. Muratova, Professor, France
Italy and Pavel P. Muratov’s Creative Work

A.L. Batalov, the State Museum-Preserve “The Moscow Kremlin”, Moscow
Architects of the Renaissance and Medieval Russian Architecture

Y.V. Mudrov, the Public Foundation for Support to Culture and Art, St. Petersburg
The Count and Countess Severny in the Apennine Peninsula (Trip of the Cesarevitch Pavel Petrovich and Grand Duchess Maria Fedorovna Across Italy and its Role in the Russian-Italian Cultural Dialogue)

G.V. Dluzhnevskaya, Institute of the History of Material Culture of the Russian Academy of Sciences, Research Archives, St. Petersburg
Italy and Spain in Old Photographs

14.00 - Presentation of the album “Spain 1889” (Alicante, 2011) edited by the Institute of the History of Material Culture

14.30-15.00 – Coffee Break

15.00 - Afternoon Session (the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow)
Led by Victor Vanslov, Doctor of Art History, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

A.A. Strigalev, the State Institute of Art History, Moscow
Two Visits to Frascati L.I. Davydova, the State Hermitage, St. Petersburg
Marquis Gian Pietro Campana. The Fate of the Collector and His Collection

E.A. Gavrilova, Museum-Estate Ostankino, Moscow
The Italian Sculpture from the Collection of Nickolai Petrovich Sheremetyev

E.Y. Saprykin, the Institute of World Literature of the Russian Academy of Sciences, Moscow
Three Voyages of the Italians to Russia in the 18th Century: Francesco Algarotti, Giovanni Batista Casti, Vittorio Alfieri

N.A. Kalughina, the State Tretykov Gallery, Moscow
Russian Scholarship Architects in Italy

T.M. Troshina, the Urals Federal University, Ekaterinburg
Italian Art in the Demidovs’ Collection

S.L. Belousov, D. Likhachev Russian Research Institute for Cultural and Natural Heritage, Moscow
Plato’s “Feast” and its Role in the School of Athens by Raphael

L.V. Solovyeva, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Works by the Sienese Jeweller of the First Half of the 15th Century Neroccio from Russian Museums

Y.A. Butovchenko, the State Museum-Preserve “The Moscow Kremlin”
The Plate of Maria Temryukovna: On the Issue of the Italian or Spanish and Moorish Origin of the Ornament

December 1, 2011 (Thursday)

11.00 – Morning Session (the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow)
Led by Alexander Tolstikov, Corresponding Member of the Russian Academy of Arts and the Russian Academy of Sciences

S.V. Usacheva, the State Tretyakov Gallery, Moscow Sylvester Schedrin in Naples

E.D. Fedotova, Doctor of Art History, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Gospel Theme in the Work by Domenico Morelli and Russian Artists in the 1860-1890s

S.S. Stepanova, the State Tretyakov Gallery, Moscow
Alexander Ivanov – Italian Sources of Creative Work

S.K. Kazakova, the Moscow State University, Moscow
Torquato Tasso and the Russian Painting of the First Half of the 19th Century

T. Sedova, the State Russian University for the Humanities, Moscow
The Artistic Method of Paolo Trubetskoy in the Dialogue of Cultures

I.A. Panchenko, the State Russian Museum, St. Petersburg
A Nice Look of the Italian Woman…

S.I. Orlov, Research Institute of Theory and History of Fine Arts, Moscow
Architecture is a Sign of History: Piranesi’s Ideas in the Drawings by Mstislav Dobuzhinsky and George Narbut

L.S. Khasyanova, I. Glazunov Russian Academy of Painting, Sculpture and Architecture, Moscow
The First Participation of Russia in the Second Biennale in Venice (1897)

14.30-15.00 – Coffee Break

15.00 – Afternoon Session
Led by E.D. Fedotova, Doctor of Art History

K.A. Chekalov, Institute of World Culture of the Russian Academy of Sciences
Images of Russia in the Prose of Emilio Salgari

A.A. Zolotov, Member of the Presidium of the Russian Academy of Arts, Moscow
Nickolai Gogol’s Return – Russian View from Beautiful Italy. The Sculpture of Zurab Tsereteli in the Park of Villa Borghese in Rome
L.V. Kazakova, Research Institute of Theory and History of Fine Arts, Moscow
Murano Glass in the Context of Contemporary Art

N.V. Getashvili, I. Glazunov Russian Academy of Painting, Sculpture and Architecture, Moscow
The Fate of an Artistic Idea Serving the Ideology (Interpretation of the “Classical” in the Time of Totalitarism: Italy – Spain – USSR in the 1930s)

O.A. Turchina. Association of Art Historians, Moscow
The Space in the Paintings by Lucio Fontana and Agostino Bonalumi

O.I. Tomson, I. Repin State St. Petersburg Academy Institute of Painting, Sculpture and Architecture, St. Petersburg
Biennale of Modern Art in Venice and Russian Art of the Early 21st Century

T.A. Troitskaya, Russian Federal Service for the Preservation of Cultural Values
Russian Art and the 20th Century Market of Antiquities in Italy and Spain

A.V. Chernetsov, Institute of Archaeology of the Russian Academy of Sciences
Anti-Catholic Motifs in the Miniatures of the Illuminated Code

December 2, 2011 (Friday)

11.00 – Morning Session (the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow)
Led by V.S. Turchin, Doctor of Art History, Academician of the Russian Academy of Arts, Professor of the Moscow State University

A.K. Yakimovich, the Russian Academy of Arts
Diego Velazquez: Art and Power

O.A. Nogteva, the Moscow Institute of Architecture
The Concept of Plaza Mayor in the Spanish Town-Building in the Last Third of the 16th Century

A.V. Ryndina, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Image of Madonna di Loreto, Saint Mary the Royal of la Almudena in Madrid and Russian Virgin Mary – Increase of Intellect. The Accord of the Image and Meaning(16-18 Century)

V.S. Turchin, Doctor of Art History, Academician of the Russian Academy of Arts, Professor of the Moscow State University
Francisco de Goya. Two Sketches (the Artist’s Russian Ties, Inner Meaning of the Caprichos Series)

A.G. Stepina, Research Institute of Theory and History of Fine Arts, Moscow
Anton Raphael Mengs and Academic Painting in Spain and Russia at the Turn of the 19th Century

Y.I. Arutyunyan, I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, St. Petersburg
Alhambra: On the Issue of the Interpretation of Spanish and Moorish Motifs in the Teaching System of the Imperial Academy of Arts

E.A. Savinova, Research Museum of the Russian Academy of Arts, St. Petersburg
Models of Alhambra from the Holdings of the Research Museum of the Russian Academy of Arts

K.V. Orlova, the State Institute of Art History
Creative Work by Joan Miro during the Civil War in Spain

L.S. Balashova, Essex University, Great Britain
Jaume Plensa: New Concept of the Monumental Sculpture

V.V. Vanslov, Doctor of Art History, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
The Work of the Academician Mukhadin Kishev and Russian-Spanish Relations

THE HIGHER ART EDUCATION IN RUSSIA. PROBLEMS. PROSPECTS: the Second All-Russian Research Conference

The Russian Academy of Arts invites you to attend “The Higher Art Education in Russia. Problems. Prospects”: the 2nd All-Russian Research Conference that will take place in the Moscow State Academy Art Lyceum, 8 Krymsky Val, building 2 on October 13-14, 2011 at 10.30 am.

Organizers:

• ACADEMIA Magazine
• The Moscow State Academy Art Lyceum
• ARTPROJECT Foundation for Support to Modern Art

Dates: October 13-14, 2011
Venue:
Conference Hall of the Moscow State Academy Art Lyceum, 8 Krymsky Val, building 2, Moscow

CONFERENCE PROGRAM

October 13, 2011

10.30 – Registration of participants
11.00 – Opening of the Conference
Opening speeches:
Lev Shepelev, Vice-President of the Russian Academy of Arts, Academician of the Russian Academy of Arts, People’s Artist of Russia
Ada Sapharova, Corresponding Member of the Russian Academy of Arts, Chief Editor of the ACADEMIA magazine
Alexander Yastrebenetsky, Vice-President of the Russian Academy of Arts, Academician of the Russian Academy of Arts, Director of the Moscow State Academy Art Lyceum

Morning Session
Led by A.S. Nadezhdina, Editor of the ACADEMIA magazine

Section: Traditions and Innovations in Modern Art Education

Igor Svetlov, Doctor of Art History, Professor of the Theory and Art History Department of V. Surikov Moscow State Academy Art Institute
Diploma as a Creative Prospect (Analyses of Diploma Works by Students of the Sculpture Department of V. Surikov Moscow State Academy Art Institute)

Maria Vyazhevich, PhD in Art History, Corresponding Member of the Russian Academy of Arts, Deputy Head of the Research and Organizing Department of the Russian Academy of Arts
Traditions of Russian Academic Education and their Metamorphoses in the Second Half of the 20th Century

Cyril Gavrilin, Head of the Art History Department of S. Stroganov Moscow State University of Industrial and Applied Arts; George Koshelev, senior teacher of the Art History Department of S. Stroganov Moscow State University of Industrial and Applied Arts
ContraMater: the 4th International Moscow Biennale of Contemporary Art and Problems of Russian Art Education

Vitaly Baryshnikov, Associate Professor, Head of the Painting Department of the Moscow Institute of Architecture
The Higher Art and Technical Studios (VKHUTEMAS) and Traditions of Art Education in Russia

Alexandra Filinkova, PhD in Art History, Associate Professor of the Chair of Easel Painting of the Institute of Fine Arts of the Urals State Academy of Visual Arts and Architecture
Art Education in the Middle Urals: History and Today

Boris Klochkov, Professor of the Chair of Monumental and Decorative Arts of the Institute of Fine Arts of the Urals State Academy of Visual Arts and Architecture
“Hot Enamels” as a Specimen of a Unique Unity of the Study and Practice. The Establishment of Creative Workshops. Active Exhibition Activity

Sergey Gavrilyachenko, Professor of the Painting and Composition Department of V. Surikov Moscow State Academy Art Institute, People’s Artist of Russia
Surikov’s School of Drawing. 1940-2000-s

Tatyana Plastova, PhD in Philology, Associate Professor, Chair of the Humanities of V. Surikov Moscow State Academy Art Institute
Traditional and New Methods and Practices for Students’ Training in the Studio of Graphic Art of the Graphic Art Department of V. Surikov Moscow State Academy Art Institute

Pavel Pavlinov, teacher of the Theory and Art History Department of V. Surikov Moscow State Academy Art Institute
Problems of the Teaching of Art History in Art Institutes

14.00-14.30 – Coffee Break

14.30- Afternoon Session

Section: Multimedia: New Strategies in Art Education

Elena Tikhomirova, member of the Expert and Consulting Council for Education Initiatives of the State Duma of RF
Multimedia Technologies in Art Education: How New Technologies Can Make the Process More Efficient and Interesting

Vera Dazhina, Doctor of Art History, Professor of the Moscow State University, Head of the Sector for Work with Creative Young People of the Moscow Museum of Modern Art
The Professor of the Moscow State University On-Line

Inga Yugai, PhD in Art History, Associate Professor, Deputy Head of the Chair for Research Work of St. Petersburg Institute for the Humanities
Media-Art: Theory and Teaching Practice

Roman Minaev, Head of the New Media Workshop of A. Rodchenko School of Photography and Multimedia, artist, curator
Communication Technologies in Art Education

Angela Danilenko, PhD in Pedagogical Sciences, Head of the Fine Arts Chair of the Belarus State University
The Use of Computer Technologies in the Teaching of Fine Arts

17.00 – Opening of the “Today, Space, Painting” Exhibition

October 14, 2011

11.00 – Morning Session

Section: History: From the Imperial Academy of Arts to the Higher Art and Technical Studios (VKHUTEMAS) and the Higher Art and Technical Institute) (VKHUTEIN)

Marina Kharlova, artist-restorer, art historian, member of the UNESCO International Federation of Artists, Professor of the Restoration Chair of the Art History Department of the Russian State University for the Humanities
The Class of Orthodox Icon Painting of the Imperial Academy of Arts

Olga Archangelskaya, post-graduate of S. Stroganov State University for Industrial and Applied Arts
On the Issue of the Systematic Art Education in the Imperial Romanov Family

Leila Khasyanova, Professor, PhD in History, Pro-Rector for the Research Work, Painting Department of I. Glazunov Russian Academy of Painting, Sculpture and Architecture
P.P. Chistyakov and the Reform of the Academy of Arts in 1893. The Reform of the Academy of Arts in 1893

Stanislav Benedictov, Corresponding Member of the Russian Academy of Arts, People’s Artist of Russia, Chief Artist of the Russian Academic Theater for Young People
Theater Set Design as a Synthesis of Arts. The Method of Many-Sided Education. Exhibition Activity as a Part of the Educational Process

Anna Manopolis, employee of the Department for International and Public Relations of S. Stroganov Moscow State University for Industrial and Applied Arts
Nicholas A. Ferdinandov and New Methods of Art Education in Venezuela in the 1920-s. The Artist’s studio as a Training Space.

Alexey Sokolov, PhD in Art History, senior teacher of the Monumental Painting Chair of V. Stroganov Moscow State Academy Art Institute
An Art Studio as a Virtual Form of Professional Education (David Siqueiros as an Example)

Svetlana Aristova, PhD in Art History, Associate Professor of the Art History Chair of S. Stroganov Moscow State University for Industrial and Applied Arts
N.N. Dubovsky (1859-1918). The Artist and Teacher about the Development of a Creative Personality (on the materials of the author’s correspondence)

Alena Grigorasch, post-graduate of S. Stroganov Moscow State University for Industrial and Applied Arts
Darmstadt as an International Center of Education

14.00-14.30 – Coffee Break

14.30 – Afternoon Session

Section: Traditions and Innovations in Modern Art Education Anatoly Vilkov, Professor of the Russian State University for the Humanities, Corresponding Member of the Russian Academy of Arts, Honored Art Worker of the RF
The Falsification of Works of Art and Urgent Problems of the Improvement of the Higher Art Education

Tamara Stepanskaya, Doctor of Art History, Professor, Head of the Chair of Russian and Foreign Art History of the Altai State University
The Peculiarities of the Formation of the Siberian Art History

Larisa Ushakova, Head of the Fine Arts Chair of the Teachers’ Training Institute of the South Federal University, Associate Professor
Art Education in Rostov-on-the Don

Alexander Migunov, Head of the Aesthetics Chair of the Department of Philosophy of the Moscow State University, Doctor of Philosophy, Professor Philosophers-Artists

Vera Lagutenkova, post-graduate of S. Surikov Moscow State Academy Art Institute
En Plein Air (In the Open Air) Studies Within the Education Process at Secondary Art Schools

Vladimir Ganzin, Associate Professor of the Chair for Drawing of the Urals State Academy of Visual Arts and Architecture; Olga Pakalina, senior teacher of the Graphic Design Chair of the Urals State Academy of Visual Arts and Architecture
The Selection of a Strategy and Tactics of the Interaction of the Academic and Specialized Drawing in the Educational Reforms of 2010-2011

01.11.2011

ART AND SCIENCE IN MODERN WORLD: The Second International Research Conference

THE RUSSIAN ACADEMY OF ARTS
THE RUSSIAN ACADEMY OF SCIENCES
UNESCO CHAIR
FOR FINE ARTS AND ARCHITECTURE

THE SECOND INTERNATIONAL RESEARCH CONFERENCE

ART AND SCIENCE IN MODERN WORLD

In Honor of the 300th Anniversary of M.V. Lomonosov

November 1-4, 2011

Date and Venue:

November 1-2, 2011
The Research Museum of the Russian Academy of Arts
17 University Embankment, St. Petersburg
Conference Hall

November 3, 2011
The building of the Presidium of St. Petersburg Research Center
of the Russian Academy of Sciences
5 University Embankment, St. Petersburg
Conference Hall

Contact telephones:
8 (495) 637 7679
8 (495) 537 3665
www.rah.ru

CONFERENCE PROGRAM

November 1, 2911 (Tuesday)

Opening of the Conference in the Research Museum of the Russian Academy of Arts, 17 University Embankment, St. Petersburg, Conference Hall 10.00 – Registration of participants

11.00 – Opening Ceremony The First Plenary Session Led by Vladimir Lenyashin, Doctor of Art History, Professor, Vice-President of the Russian Academy of Arts (St. Petersburg) Edward Tropp, Doctor of Physics and Mathematics, Chief Scientific Secretary of the St. Petersburg Research Center of the Russian Academy of Arts (St. Petersburg)
Lomonosov – Physicist, Chemist, Astronomer

Gerardo Lo Russo, Rector of the Roman Academy of Fine Arts, Professor (Rome)
The Triumph of Art and Science in the Space of Knowledge

Dmitry Shvidkovsky, Vice-President of the Russian Academy of Arts, Academician-Secretary of the Art History Department of the Russian Academy of Arts, Rector of the Moscow Institute of Architecture
M.V. Lomonosov and Modern Art

Armando Ginesi, the Honorary Consul of the Russian Federation in Ancona, Italy, Professor
Art and Science – Two Sisters

Yury Chistov, Doctor of History, Director of the Peter the Great Museum of Anthropology and Ethnography (Kunstkamera) of the Russian Academy of Sciences (St. Petersburg)
Museum of M.V. Lomonosov: Collections and Expositions

Victor Vanslov, Doctor of Art History, Academician of the Russian Academy of Arts, Director of the Research Museum of Theory and History of Fine Arts of the Russian Academy of Arts (Moscow)
Culture and Art in Modern World
Vyacheslav Molodin, Academician of the Russian Academy of Sciences, Deputy Director of the Institute of Archaeology and Ethnography of the Siberian Department of the Russian Academy of Sciences (Novosibirsk)
The Discovery of Pazyryk Culture of the Scythian Time in the North-Western Mongolia (the Results of Interdisciplinary Studies)

Nickolai Kazansky, Academician of the Russian Academy of Sciences, Director of the Institute for Linguistic Studies of the Russian Academy of Sciences (S. Petersburg)
Lomonosov: Art, Science, Education

Yury Bobrov, Doctor of Art History, Corresponding Member of the Russian Academy of Arts, Pro-Rector of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture (St. Petersburg)
The Interaction of Art and Science in the Art Practice. Restoration Experience

Exhibitions in the halls of the Research Museum of the Russian Academy of Arts:

- “The Wealth of Love for Motherland to You as a Gift” in honor of the 200th anniversary of the Kazan Cathedral in St. Petersburg
- The Sense of Color: Solo Show of the Italian Artist Gianni Maimeri in honor of the Russia-Italy Cross Culture Year

14.00-15.00 – Coffee Break

15.00- Afternoon Session Led by Alexandra Buzhilova, Corresponding Member of the Russian Academy of Sciences, Director of the Research Institute - Museum of Anthropology of M.V. Lomonosov Moscow State University, Chairman of the Museum Council of the Russian Academy of Sciences

Valery Leonov, Doctor of Pedagogical Sciences, Director of the Library of the Russian Academy of Sciences (St. Petersburg)
Peter the Great and the Library of the Academy of Sciences

Andrey Zolotov, Academician of the Russian Academy of Arts, Professor (Moscow)
On the Artistic Feature of the Art Criticism

Victor Garanin, Doctor of Geological and Mineralogical Sciences, Professor, Director of A. Fersman Mineralogical Museum (Moscow) of the Russian Academy of Sciences
The Role of M.V. Lomonosov in the Development of A. Fersman Mineralogical Museum of the Russian Academy of Sciences

Oleg Khromov, Doctor of Art History, Corresponding Member of the Russian Academy of Arts (Moscow)
The History of Art and Historical Sciences. On the Issue of the “Science” and “Awareness”

Vladimir Shevchenko, Academician of the Russian Academy of Sciences, Director of I. Grebenschikov Institute of the Chemistry of Silicates of the Russian Academy of Sciences (St. Petersburg)
A Word about the Benefit of Chemistry (for the Artistic Creative Work of M.V. Lomonosov)

Alexander Tolstikov, Corresponding Member of the Russian Academy of Sciences and the Russian Academy of Arts, Deputy Chief Scientific Secretary of the Presidium of the Russian Academy of Sciences (Moscow)
Photochemistry: Yesterday, Today, Tomorrow

Oleg Krivtsun, Doctor of Philology, Corresponding Member of the Russian Academy of Arts
Forms and Meanings. Plastic Variations of the Existential in Contemporary Art

Yury Baturin, Doctor of Law, Professor, Director of S. Vavilov Institute of the History of Natural Sciences and Engineering of the Russian Academy of Sciences (St. Petersburg)
Painting. Space. Science (Reflections and Parallels)

Yury Balega, Corresponding Member of the Russian Academy of Sciences, Director of the Special Astrophysical Observatory of the Russian Academy of Sciences (N. Arkhyz, Karachaevo-Cherkesya)
What Troubles Astrophysicists Today?

Andrey Tolstoy, Doctor of Art History, Corresponding Member of the Russian Academy of Arts, Deputy Director of A. Pushkin State Museum of Fine Arts for Research Work (Moscow)
New Technologies in Works by Contemporary Russian Artists. The Experience of 2011 Venetian Biennale

November 2, 2011 (Wednesday)

10.00 – Morning Session
Led by Maria Vyazhevich, PhD in Art History, Corresponding Member of the Russian Academy of Arts

Alexandra Buzhilova, Corresponding Member of the Russian Academy of Sciences, Director of the Research Institute - Museum of Anthropology of M. Lomonosov Moscow State University, Chairman of the Museum Council of the Russian Academy of Sciences
Anthropological Portrait of Ivan the Terrible and His Sons

Natalya Polosmak, Doctor of History, Professor, Institute of Archaeology and Ethnography of the Siberian Department of the Russian Academy of Sciences (Novosibirsk)
Noin-Ullinsk Burial Mounds (Kurgans) - Treasures of the World Culture

Marina Kharlova, PhD in Art History, Russian State University for the Humanities (Moscow)
The Class of the Orthodox Icon Painting at the Imperial Academy of Arts. The Urgency of the Cultural and Historical Model

Nina Kuteinikova, PhD in Art History, Professor, I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture (S. Petersburg)
The Art of Mosaic in the Work of St. Petersburg Masters. 21st Century

Inga Yugai, PhD in Art History, the University for the Humanities and Social Sciences of the Trade Unions (St. Petersburg)
The Reflection of the Scientific Knowledge in Modern Iconography (Paintings in St. Olav Church in Finland as an Example)

Vitaly Afiani, PhD in History, Director of the Archives of the Russian Academy of Sciences (Moscow)
Chemistry and Art: Lomonosov’s Traditions in the Art Process

Victor Kartsev, Doctor of Chemistry, Professor, Head of the Board of Directors of the Cultural Heritage Foundation and Scientific Partnership Foundation (Moscow)
Artist’s Palette and a Chemical Diversity of Pigments of the Live Nature

Margarita Khartanovich, Doctor of History, Head of the Department of the History of the Kunstkamera and the 18th Century Russian Science of the Peter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences (St. Petersburg)
Art Glass Production in Russia and M.V. Lomonosov

Lyudmilla Kazakova, Doctor of Art History, Corresponding Member of the Russian Academy of Arts (Moscow)
“So pleasant is the Delight Made by Your Own Efforts”. Lomonosov and the Art Glass

Dmitry Osipov, Doctor of Biological Sciences, Academician of the Russian Academy of Natural Sciences, Director of the Biological Research Institute of the Faculty of Biology and Soil Sciences of the St. Petersburg State University
M.V. Estate “Ust-Ruditsa” – a Factory of Color Stained Glass

Exhibition of documents “M.V. Lomonosov and the University Education in Russia” from M.V. Lomonosov Fund of St. Petersburg Branch of the Archives of the Russian Academy of Sciences and books from the collection of the Research Library of the Russian Academy of Arts

13.00-13.30 – Coffee Break 13.30 – Afternoon Session Led by Yury Baturin, Director of S. Vavilov Institute of the History of Natural Sciences and Engineering of the Russian Academy of Sciences

Semen Mikhailovsky, Corresponding Member of the Russian Academy of Arts, Rector of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Communications in Science and Art

Constantin Khudyakov, Artist, Academician of the Russian Academy of Arts, Chairman of the Creative Artists’ Union of Russia (Moscow)
The Art of High Resolution – Some Aspects of Theory and Practice.
Presentation of a Multi-Touch Picture. Experience in the Synthesis

Tatyana Kochemasova, PhD in History, Corresponding Member of the Russian Academy of Arts, Head of the Research and Organizing Department of the Russian Academy of Arts (Moscow)
Art and Innovations: Difficulties of the Translation

Alexander Ponomarev, artist, curator, Corresponding Member of the Russian Academy of Arts (Moscow)
One of One Thousand Ways to Overcome Entropy

Elena Sarni, artist, curator (New York)
The Ray of Eyesight: Evolution of the Idea of Perspective and a Signal of the End of Utopia

Maria Bezenkova, PhD in Art History, S. Gerasimov State Institute of Cinematography (Moscow)
Contemporary Cinema – the Art or a Technological Fake

Alexei Sokolov, PhD in Geographical Sciences, Deputy Director of the Institute of Oceanology of the Russian Academy of Sciences for Scientific Expeditions (Moscow)
Ocean Expeditions as a Phenomenon of Science and Culture

John Williams Narins, art critic, expert in literature, founder of the Causa Artium Foundation (New York)
The Attitude to Science and an Artistic Self-Consciousness. Notes to the Study of the Influence on the Art Concept and Art Practice

Sergey Levandovsky, the State Russian Museum (St. Petersburg)
Art and Science: the Consistency with Natural Laws and Lawlessness, Chaos and Order

Natalya Kopaneva, PhD in Philosophy, senior researcher of the Department of the History of the Kunstkamera and the 18th Century Russian Science of the Peter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences (St. Petersburg)
“Peter I” Mosaic by M.V. Lomonosov

Sergey Volkov, Doctor of Philology, Head of the Department of the Dictionary of M.V. Lomonosov’s Language of the Institute for Linguistic Studies of the Russian Academy of Sciences (St. Petersburg)
M.V. Lomonosov’s Mosaic: Experience in Philological Description

Tamara Lukashina, Deputy Director of the Research Library of the Russian Academy of Arts for Research Work (St. Petersburg)
Lifetime and Posthumous Editions of M.V. Lomonosov’s Works in the Collection of the 18th Century Rare Books of the Research Library of the Russian Academy of Arts

Liudmilla Limanskaya, Doctor of Art History, Head of the Art History Department of I. Glazunov Russian Academy of Painting, Sculpture and Architecture, Professor of the Russian State University for the Humanities (Moscow)
M.V. Lomonosov and European Theories of Light and Color in the Middle of the 18th Century

Petr Bukharkin, Doctor of Philology, senior researcher of the Institute for Linguistic Studies of the Russian Academy of Sciences (St. Petersburg)
M.V. Lomonosov’s Rhetorical Organization “Words of Gratitude to the Imperial Highness on the Consecration of the Russian Academy of Arts”

Tatyana Moiseeva, Scientific Secretary of the Lomonosov Commission of the St. Petersburg Research Center of the Russian Academy of Sciences, Head of the “Lomonosov” Publishing House (St. Petersburg)

Sergey Pchelkin, Head of the Sector for Electronic Publications in the Sphere of Heritage of D. Likhachev Russian Research Institute for Cultural and Natural Heritage
The Atlas “Lomonosov’s Land” – “Through Decoration from Sciences and Arts”

19.00 – visit to the Exhibition of Photographs by Yury Baturin, the Director of S. Vavilov Institute of the History of Natural Sciences and Engineering of the Russian Academy of Sciences in the House of Scientists (26 Dvortsovaya Embankment, St. Petersburg)

November 3, 2011 (Thursday)

Venue: Conference Hall in the building of the Presidium of St. Petersburg Research Center of the Russian Academy of Sciences, 5 University Embankment, St. Petersburg

10.00- Morning Session Led by Tatyana Kochemasova, PhD in Art History, Corresponding Member of the Russian Academy of Arts, Head of the Research and Organizing Department of the Russian Academy of Arts (Moscow)

Vladimir Okrepilov, Corresponding Member of the Russian Academy of Sciences, Deputy Chairman of the St. Petersburg Research Center of the Russian Academy of Sciences (St. Petersburg)
Lomonosov in St. Petersburg

Sergey Nikolaev, Doctor of Philology, Corresponding Member of the Russian Academy of Sciences, Head of the Department of Bibliography of the Institute of Russian Literature (Pushkin House) of the Russian Academy of Sciences (St. Petersburg)
The Engraved Portrait of Lomonosov (1758) Viewed by a Historian of Literature

Valery Maloletkov, Doctor of Art History, Corresponding Member of the Russian Academy of Arts (Moscow)
Main Tendencies of the Development of Modern Ceramics. The Synthesis of Art, Science and Technology

Sergey Stupin, PhD in Philosophy, senior researcher of the Department of Theory and Aesthetic Problems of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (Moscow)
The Phenomenon of Open Form in Art: the View of Art History and the View of Synergy

Elena Stetskevich, PhD in History, Assistant Professor of the Chair of History and World Politics of the North-Western Academy of the State Service (St. Petersburg)
Drawing Chamber of the St. Petersburg Academy of Sciences and the Development of Art Education in Russia in the First Half of the 18th Century

Engel Karpeev, PhD in Engineering Sciences, senior researcher of the St. Petersburg Branch of S. Vavilov Institute of the History of Natural Sciences and Engineering of the Russian Academy of Sciences (St. Petersburg)
Lomonosov as a Scientist and Artist

Nadezhda Mukhina, PhD in Art History, Corresponding Member of the Russian Academy of Arts (Moscow)
Creative Laboratories. New Art Materials and Technologies in Modern Religious Art

Irina Tunkina, Doctor of History, Director of St. Petersburg Branch of the Archives of the Russian Academy of Sciences (St. Petersburg)
Ust-Ruditsa Deed to M.V. Lomonosov from the St. Petersburg Branch of the Archives of the Russian Academy of Arts

Nickolai Kopanev, PhD in History, Head of the Center for the Study of the Time of Enlightenment of the Russian National Library (St. Petersburg)
Lomonosov and the Art of Book

Natalya Litvina, the Archives of the Russian Academy of Sciences (Moscow)
M.V. Lomonosov Grand Gold Medal – the Highest Award of the Russian Academy of Sciences

13.00-14.00 – Coffee Break

14.00 – Afternoon Session
Led by Vitaly Afiani, PhD in History, Director of the Archives of the Russian Academy of Sciences

Ekaterina Basargina, Doctor of History, Head of the Department of Publications and Exhibition Activity of St. Petersburg Branch of the Archives of the Russian Academy of Sciences (St. Petersburg)
Academy’s Prize for the Scientific Description of M.V. Lomonosov’s Life

Irina Ilyina, PhD in History, Deputy Director of the Archives of the Russian Academy of Sciences (Moscow)
Commemorations of M.V. Lomonosov

Anastasia Alexeeva, the Research Museum of the Russian Academy of Arts (St. Petersburg)
Specimen of the Alphabet Book by Karion Istomin Engraved by Leontiy Bunin in the Collection of the Research Museum of the Russian Academy of Arts

Polina Popova, the Research Museum of the Russian Academy of Arts (St. Petersburg)
Sculpture and Science

Lada Balashova, PhD in Art History, Essex University (Colchester, England)
The Scientific and Aesthetic Legacy of the State Academy of Art Sciences and Contemporary Art

Nadezhda Osipova, PhD in History, the Archives of the Russian Academy of Sciences (Moscow)
Lomonosov Jubilees at the Academy of Sciences in the 20th Century

Vladimir Osipov, Doctor of History, leading researcher, St. Petersburg Branch of the Institute of Natural Sciences and Engineering of the Russian Academy of Sciences (St. Petersburg)
The Historian of St. Petersburg A.I. Bogdanov – Contemporary and Co-Worker of M.V. Lomonosov

Anatily Chebotarev, Doctor of History, Professor, chief researcher, the Archives of the Russian Academy of Sciences (Moscow)
M.V. Lomonosov and His Time in Publications of the “Historical Archive” Magazine

Svetlana Serova, the Archives of the Russian Academy of Sciences (Moscow)
The All-Russian Celebration of the 200th Anniversary of M.V. Lomonosov in 1911

18.00 – participation in the opening of the exhibition “Own View” in the exhibition halls of “N-Prospect” Gallery (78 Nevsky Prospect, St. Petersburg)

November 4, 2011 (Friday)

11.00 – visit to the Mosaic (Imperial) Workshop of the Russian Academy of Arts
The group meets in the lobby of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture (17 University Embankment, St. Petersburg)

11.00 – visit to M.V. Lomonosov Museum as Part of the Peter the Great Museum of Anthropology and Ethnography (Kunstkamera)
The group meets in the lobby of the Peter the Great Museum of Anthropology and Ethnography (kunstkamera) (3 University Embankment, St. Petersburg)

THE MAGIC OF A LITERARY SUBJECT. PROBLEMS OF INTERPRETATION IN FINE ARTS: Research Conference

The Russian Academy of Arts invites you to attend “The Magic of a Literary Subject. Problems of Interpretation in Fine Arts” Research Conference that will take place in the White Hall of the Presidium of the Russian Academy of Arts, 21 Prechistenka street, on October 19-21, 2011. Morning sessions – at 10.30am. The Conference will be accompanied by a sale of books by the White City publishing house.

CONFERENCE PROGRAM

October 19.2011
10.30 – Opening of the Conference
Opening speeches:

- Dmitry Shvidkovsky, Doctor of Art History, Professor, Vice-President of the Russian Academy of Arts (RAA), Academician-Secretary of the Department of Art History and Art Criticism of the RAA

- Victor Vanslov, Doctor of Art History, Professor, Academician and Member of the Presidium of the Russian Academy of Arts (RAA), Director of the Research Institute of Theory and History of Fine Arts of the RAA

Elena Fedotova, Doctor of Art History, Head of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

Led by Elena Fedotova, Doctor of Art History

Natalia Pomerantseva, Doctor of Art History, Professor of the Chair of History and Theory of Fine Arts in V. Surikov Moscow State Academy Art Institute
The Word and Its Visual Representation: the Text of Amduat Book and paintings on tsars’ tombs of the 18th-19th Dynasties (The New Kingdom)

Marina Neglinskaya, Doctor of Art History, the senior researcher of the Department of China of the Institute of Oriental Studies of the Russian Academy of Sciences, Moscow
“The Conversation About Antiquities” by Dong Qi-chang and “One Hundred Antiquities” in the Chinese Art and Craft of the Qing Dynasty

Irina Sheptunova, PhD in Art History, Head of the Department of South Asia of the State Museum of Oriental Art, Moscow
Manasa: a snake or a lotus? Images of Indian Myths, Medieval Novels in the Folk Ritual Plastic Art

Tatyana Starodub, Doctor of Art History, Senior Researcher of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
Maqamat al-Hariri in the Medieval Miniature of Iraq, Syria and Egypt

Venedict Tyazhelov, Head of the Department of A. Pushkin State Museum of Fine Arts
Iliad: From the Ancient Times till Today

Olga Potokina, researcher of the Foreign Art Department of the Research Institute of Theory and History of the Russian Academy of Arts
The Literary Motif of a Treasure in the Historical Perspective of the Symbols of Things in the Migration Period

15.00 – Afternoon Session
Led by E.B. Igumnova

Olga Dubova, Doctor of Philosophy, senior researcher of the Theory and Aesthetics Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
The Narration and Representation: The Renaissance Concept of the “Poetry Similar to Painting”

Svetlana Kozlova, PhD in Art History, senior researcher of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
Francesco Petrarca and the Theme of Triumphs in the Italian Renaissance Art

Sergey Belousov, PhD in Art History, senior researcher of D. Likhachev Research Institute of Cultural and Natural Heritage, Moscow
The School of Athens by Raphael: the Executed “Anti-Program” and Non-Realized Fresco Program

Alexandra Stepina, PhD in Art History, senior researcher of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
Subjects of Antique Literature in the 16th Century Spanish Art

Elena Khlopina, PhD in Art History, Associate Professor of the Chair for General History of Art of the Russian State University for the Humanities, Moscow
Salvator Rosa: Master and Legend

Svetlana Morozova, PhD in Art History, senior researcher of the Department of Old Masters’ Art of A. Pushkin State Museum of Fine Arts, Moscow
The Theme of Deianira and Nessus in the Bronze Sculpture of the 17-18th Century From the Collection of A. Pushkin State Museum of Fine Arts

Elena Borsch, PhD in Art History, Associate Professor of the Urals State Academy for Architecture and Art, Ekaterinburg
Vignette in the 18th Century French Art Book: Between the Décor and Illustration

October 20, 2011 10.30 – Morning Session
Led by E.D. Fedotova Leonid Taruashvili, Doctor of Art History senior researcher of the Monumental Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Tectonics of the Construction of Alexander Pope’s Odyssey by Homer Marina Pozharova, PhD in Art History, senior researcher of the Graphic Art Department of A. Pushkin State Museum of Fine Arts, Moscow
Stories About Zeuxis in the Neoclassical European Art Olga Rusanova, PhD in Art History, Associate Professor of A. Herzen Russian State Pedagogical University, teacher of the European University, St. Petersburg
Machado de Castro: Poem and Monument Tatyana Karyakina, PhD in Art History, Associate Professor of the Chair for General History of Art of M. Lomonosov Moscow State University, Moscow
Prosaic, Poetic and Drama Motifs in the 18th Century West-European China Veronika Bogdan, PhD in Art History, Deputy Director for Research Work of the Research Museum of the Russian Academy of Arts, St. Petersburg
The Sujet in the Academic Programs in the Second Half of the 19th – early 20th Century Elena Fedotova, Doctor of Art History, Head of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
Don Quixote by Honore Daumier and the Problem of “Anti-Literature” in the French Painting of the Second Empire Mikhail Sokolov, Doctor of Art History, senior researcher of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
The Ruins of Nature in the Literature and Art of the Romanticism

15.00 – Afternoon Session
Led by E.V. Igumnova

Liudmilla Perfilieva, Leading Art Historian of “Spetsprojectrestoration” Institute, Deputy Chairman of the Board of Directors of the Society for the Study of Russian Estate, Moscow
“Dushenka (Darling)” by Ippolit Bogdanovich in the Landscape of the Romantic Parks of the Russian Country Estates

Tatyana Sidorova, post-graduate of the Chair of Theory and History of Fine Arts of V. Surikov Moscow State Academy Art Institute
Non-Literary Interpretation of a Literary Subject: Painting by Pavel Fedotov

Elena Igumnova, PhD in Art History, senior researcher of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The National and Foreign: National Topics in Works by Pre-Raphaelites

Anna Zavyalova, PhD in Art History, senior researcher of the Department for the Dictionary of Artists of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Fairy Tales by Hans Christian Andersen in the Work by Alexander Benois Elena Terkel, head of the Sector for Historical Sources of the Manuscripts Department of the State Tretyakov Gallery, Moscow
The Autobiographical Novel by Leon Bakst: Word, Line, Light

Dmitry Fomin, PhD in History, senior researcher of the Bibliology Department of the Russian State Library, Moscow
Russian Illustrators of Wilhelm Hauff’s Fairy Tales

Olga Davydova, PhD in Art History, senior researcher of the Art Criticism Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
“Dushenka (Darling)” of the Silver Age

Lidia Chernik, post-graduate of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Francois Flaman as an Illustrator

October 21, 2011
10.30 am – Morning Session
Led by E.D. Fedotova

Valentina Kryuchkova, PhD in Art History, senior researcher of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Formation of a Motif in the Painting by Georges Rouault

Natalya Zlydneva, Doctor of Art History, Head of the Department of the History of Culture of the Institute for Slavic Studies of the Russian Academy of Sciences, Moscow
The Visual Narrative Between the Literature and Painting

Sergey Stupin, PhD in Philology, senior researcher of the Theory and Aesthetics Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Motif and Subject: on the Issue of the Methodology

Valentina Sharina, post-graduate of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Motifs of Works by Ramon Gomez de Serna in the Art of Diego Rivera

Sergey Orlov, PhD in Art History, senior researcher of the 20th Century Russian Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
A series and Double Action as a Form of the Plot Development

Olga Yartseva, researcher of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Robert Rauschenberg and His Drawings for the Hell by Dante Alighieri

Svetlana Chervonnaya, Doctor of Art History, senior researcher of the Russian Institute for Cultural Research, Moscow
The Legend of the Motherland in the Art of the Immigration (works by Lithuanian Artists Living out of Lithuania in the 1940s-1980s as an example)

Irina Labeznikova, Deputy Head of the Department of the State Tretyakov Gallery, researcher of the 18th-20th Century Fine Arts and Architecture Department of the State Institute of Art History, Moscow
Subject of a Conceptual Album. Ilya Kabakov’s Artistic Self-Reflection

THE NEW LIFE OF OLD ARCHITECTURE. RESTORATION. RECONSTRUCTION. RECREATION: Research Conference

The Russian Academy of Arts invites you to attend “The New Life of Old Architecture. Restoration. Reconstruction. Recreation” Research Conference that will take place in the White Hall of the Presidium of the Russian Academy of Arts, 21 Prechistenka street, Moscow, on September 28, 2011 at 10.30am.

CONFERENCE PROGRAM

September 28, 2011
10.30 – Opening of the Conference
Opening speeches:
- President of the Russian Academy of Arts Zurab Tsereteli
- Head of the Department of Cultural Heritage of MoscowAlexander Kibovsky

11.00 - Morning Session
Led by Oleg Koshkin, Chief Scientific Secretary of the Russian Academy of Arts

Irina Krymova, Head of the Workshop for Historical and Architectural Studies of “Mosproject-2” named after M.V. Posokhin
Today’s Tendencies in the Design for Preservation
Mikhail Golubin, Head of the Workshop for Design and Architecture “Mosproject-2” named after M.V. Posokhin
Complex Restoration of the Monuments of Architecture of the Tsaritsyno Museum-Preserve
Marina Morina, Head of the Workshop for the Landscape Architecture and City Design of “Mosproject-2” named after M.V. Posokhin
The Recreation of Historical Parks. From the Experience of the Recreation of the Park Territory of the Tsaritsyno Museum-Preserve
Igor Biryukov, People’s Architect of Russia, Honorary Member of the Russian Academy of Arts, Director-General of “Mosproject-3”
The Rebirth of the Ensemble of the Marfo-Mariinsky Convent of Mercy
Olga Galanicheva, Chief Architect of the Project of the Architectural Workshop for Design and Restoration of “Mosproject-2” named after M.V. Posokhin
The Restoration of the “Proper Half” of the Grand Kremlin Palace
Evgenia Dutlova, Head of the Specialized Workshop for Historical and Architectural Studies of “Mosproject-2” named after M.V. Posokhin
The Significance of Historical and Architectural Studies in the Recreation of Historical Areas, Ensemble “Rogozhskaya Sloboda”as an Example
Evgeny Maximov, People’s Artist of Russia, Academician of the Russian Academy of Arts
The Experience in Recreation of Monumental Painting

14.00-14.30 – Coffee Break

15.00 – Afternoon Session Farther Leonid (Kalinin), Head of the Church of St. Martyr Clement the Pope of Rome in Moscow
The Peculiarities of the Restoration of Church Architecture
Natalia Dushkina, Candidate of Architecture, Professor of the Moscow Institute of Architecture
The Russian Experience in the Preservation of the 20th Century Architectural Heritage in the International Context
Tatyana Malinina, Doctor of Art History, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
Modern Architecture in the Historical Environment. European Experience.
Inesse Slyunkova, Doctor of Architecture, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
The Restoration and Use of Architectural Heritage. Preservation of Traditions or Innovation Vector of Development?
Vladilen Krasilnikov, People’s Architect of Russia, Academician
To Preserve Not Only the Past, But Also the Present
Elena Chernyavskaya, the Russian Institute for Culturology
A Road as an Object of the Historical and Cultural Heritage

THE ART OF KHOLMOGOR BONE CARVING. TIME. CULTURE: All-Russian Research and Practical Conference in Honor of the 300th Anniversary of Mikhail Lomonosov

The Russian Academy of Arts invites you to attend “The Art of Kholmogor Bone Carving. Time. Culture” All-Russian Research and Practical Conference in honor of the 300th anniversary of Mikhail Lomonosov that will take place in the White Hall of the Presidium of the Russian Academy of Arts, 21 Prechistenka street on October 20, 2011 at 11am.

The Conference dedicated to the traditional craft of bone carving in the villages of Kholmogor District of the Arkhangelsk Region in the North of Russia has been organized by the Russian Academy of Arts, the Russian Academy of Sciences, the Artists’ Union of Russia, Interregional Lomonosov Foundation. It will be accompanied by an exhibition of works carved of bone and presentation of a book devoted to the art of Kholmogor bone carving.

The Russian Academy of Arts

International UNESCO Chair for Fine Arts and Architecture

of the Russian Academy of Arts

Under the Auspices of the UNESCO Sector for Culture

International Research Conference

HUMANISTIC FUNDAMENTALS AND SOCIAL FUNCTIONS OF ART

September 8-9, 2011

Venue: 21 Prechistenka street, Moscow, Hall of the Presidium of the Russian Academy of Arts (“White Hall”)

CONFERENCE PROGRAM

September 8, Thursday

10.30 – Registration of the Participants
11.00 – Opening of the Conferenc