FROM COLOR TO LIGHT: PROBLEMS OF INTERACTION OF ARTS AT THE TURN OF THE MILLENNIUM – INTERNATIONAL RESEARCH CONFERENCE

The Russian Academy of Arts, the Research Institute of Theory and History of Fine Arts of the RAA, Sergey  Gerasimov All-Russian State Institute of Cinematography, New Institute of Cultural Studies, Moscow International Foundation for Support to UNESCO, State Central Cinema Museum, Union of  Filmmakers of Russia and  Guild of Film Critics of Russia invite you to attend the International Research Conference “From Color to Light”: Problems of Interaction of Arts at the Turn of the Millennium”, that will take place at the Russian Academy of Arts (21 Prechistenka street, Moscow) on October 17,2019 and Sergey Gerasimov State Institute of Cinematography (3 Wilhelm Pieck street, Moscow) on October 18-19,  2019.

 

THE CONFERENCE PROGRAM

 

OCTOBER 17, 2019

Venue: the White Hall of the Russian Academy of Arts

            21 Prechistenka street, Moscow

 

10.00 – Registration of Participants

10.30 – Opening of the Conference

Welcoming addresses:

-         Mickhail E. Shvydkoy, Doctor of Art History Professor

-         Victor G. Kalinin, Academician, the First Vice-President of the Russian Academy of Arts

-         Andrey A. Zolotov, Academician, Vice-President of the Russian Academy of Arts

 

11.00 – Morning Session

Moderators:

Tamara Galeeva, PhD in Art History, Head of the Chair for Art History and Museum Studies of Boris Yeltsyn Urals Federal University (Ekaterinburg)

Tatyana Kochemasova, PhD in Art History, Academician, Vice-President of the Russian Academy of Arts (Moscow)    

 

Krasimira Lukicheva, PhD in Art History, Honorary Member of the Russian Academy of Arts, Deputy Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts  (Moscow)

FROM GOETE TO TURNER: COLOR AND LIGHT IN THE THEORY OF ARTS AND PAINTING OF THE 19TH CENTURY 

 

Nina Getashvili, PhD in Art History, Professor, Head of the Chair for World Art History of I. Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow)

LIGHT AS AN AURA IN THE EUROPEAN ART AT THE TURN OF THE 19-20TH CENTURIES

 

Elizaveta Linnainmaa, Art Historian, Member of ICOM, graduate of V. Surikov Moscow State Academy Art Institute, Head of Projects by Black River Co.  (Moscow)

DIVISIONISM IN ITALY: SHIMMERING OF IMAGES AND “PAINTING OF IDEAS” OF GAETANO PREVIATI

 

Olga Muromtseva, PhD in History, Associate Professor, S. Stroganov Moscow State Academy of Arts and Industry (Moscow)

GIACOMO BALLA: FROM PAINTING IN THE DIVISIONISM TECHNIQUE TO CREATION OF A LIGHT SHOW

 

Anna Spiridonova, Senior Teacher, St. Petersburg National Research Institute of Information Technologies, Mechanics and Optics (St. Petersburg)

LIGHT ART AT THE EARLY 20TH CENTURY: ORIGIN AND GENESIS  IN MODERNISM ART

 

Vitaly Patsyukov, Corresponding Member of the Russian Academy of Arts, Head of the Department for Interdisciplinary Programs of the State Center of Modern Art (Moscow)

DIALOGUES BETWEEN ELECTRIC AND GAS LIGHT IN THE 20th CENTURY ART: MALEVICH, DUCHAMP, CAGE

 

Nickolai Naumov, Moscow Artists’ Union, Union of Art Historians (Moscow)                  

Marianna Shepf, Union of Composers of Russia (Moscow)

Arseny Smirnov, Moscow Institute of TV and Radio “Ostankino” (Moscow)

FROM EXPRESSIONISM IN PAINTING TO MUSICAL FANTASY AND MULTIMEDIA. ON THE EXAMPLE OF WORKS BYGUY DE MONTLAUR

 

13.00-14.00 – Lunch

14.00 – 18.00 - Afternoon Session

Moderators:

Krasimira Lukicheva, PhD in Art History, Honorary Member of the Russian Academy of Arts, Deputy Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (Moscow)

Vitaly Patsyukov, Corresponding Member of the Russian Academy of Arts, Head of the Department for Interdisciplinary Programs of the State Center of Modern Art (Moscow) 

 

Tatyana Parkhomenko, Doctor of History, Head of the Center of Cultural Heritage of the Russian Diaspora, Chief Researcher of Dmitry Likhachev Russian Research Institute of Cultural and Natural Heritage (Moscow)

SEARCHES OF THE NEW “MEASURE OF PEACE” AND SYNTHESIS OF ARTS AT THE EARLY 20TH CENTURY

 

Elena Shakhmatova, Doctor of Philosophy, Associate Professor, Head of the Research Department  of the Russian Institute of Theater Art (Moscow)

MICKHAIL MATYUSHIN AND THE PROBLEM FIELD OF “EXTENDED VIEWING”   

 

Georgy Kovalenko, Doctor of Art History, Academician of the Russian Academy of Arts, Head of the Department of the 20th Century Russian Art of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

THE LIGHT THEATER OF PAVEL CHELISCHEV

 

Tamara Galeeva, PhD in Art History, Head of the Chair for Art History and Museum Studies of Boris Yeltsyn Urals Federal University (Ekaterinburg)

LIGHT SYMPHONIES OF SERGEY SHARSHUN

 

Elena Ilyina, Head of the Department for Study of A.S. Golubkina Creative Work in the State Tretyakov Gallery (Moscow)

Larisa Smirnykh, Chief Custodian, Museum of Fine Arts (Nizhni Tagil)

LIGHT PAINTING OF PAVEL GOLUBYATNIKOV – PUPIL OF KUZMA PETROV-VODKIN

 

Maria Timina, undergraduate of the Chair for Russian Art of the Moscow State University  

THE LIGHT-COLOR PRINCIPLE IN THE WORK OF IVAN KLYUN

 

Elena Menshikova, PhD in Cultural Studies, expert (Moscow)

OVERTHROWING THE COLORS, COMPOSING THE LIGHT – OPTICAL DISTORTIONS: POST-WAR GROTESQUES OF PAVEL PHILONOV

 

          

OCTOBER 18, 2019

Venue: Sergey Gerasimov All-Russian State Institute of Cinematography,

            Hall of the Scientific Council

            3 Wilhelm Piek, Moscow

 

10.00-13.00 – Morning Session       

Moderators:

Nadezhda Kargopolova, PhD in Art History, Deputy Head of the Regional Department of the Russian Academy of Arts (Moscow)

Kirill Pazlogov, Doctor of Art History, Professor, Head of the Department for the Development and Approbation of Methods of Cinema Education of Sergey Gerasimov All-Russian State Institute of Cinematography, Honored Art Worker (Moscow)

 

Kirill Razlogov, Doctor of Art History, Professor, Head of the Department of Sergey Gerasimov All-Russian State Institute of Cinematography, Honored Art Worker (Moscow)

COLORS OF DARKNESS AND “FLOWERS OF EVIL”

 

Rimma Baiburova, PhD in Art History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

FROM COLOR TO LIGHT IN INTERIORS OF THE 20TH CENTURY

 

Olga Kostina, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (Moscow)

LIGHT AND COLOR IN THE MOSCOW SUBWAY

 

Mickhail Dyachkov, Member of the Creative Artists’ Union of Russia (Moscow)    

LIGHT AS A NEW INSTRUMENT OF AN ARTIST. TRANSFORMATION OF THE CULTURE OF PERCEPTION

 

Olga Kolganova, PhD in Art History, Researcher, Russian Institute of History of Arts (St. Petersburg)

GRIGORY GIDONI: THE DEVICE FOR OBTAINING LIGHT DECORATIONS ON A TRANSPARENT SCREEN (1920)

 

Irina Chmyreva, PhD in Art History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts  

COLOR-LIGHT-COLOR. FROM THE TRADITION OF PICTURESQUE PORTRAIT – TO THE PAINTED PHOTOGRAPHIC PORTRAIT

 

Natalia Tolstaya, Corresponding Member of the Russian Academy of Arts, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

ALEXEY BLAGOVESTNOV. LIGHT AND COLOR ON THE WHITE PLASTER

 

Ioanna Mirlas, student, Alexey Gorki Institute of Literature, member of Hoffmann Society (Russia-Germany)

COLOR AND LIGHT SYNTHESIS AS AN INSTRUMENT OF RECEPTION

VERSATILITY IN THE CREATIVE WORK OF KSENIYA ANUFRIEVA-MIRLAS    

 

13.00-14.00 - Lunch  

 

14.00-18.00 – Afternoon Session

Moderators:

Tatyana Parkhomenko, Doctor of History, Head of the Center of Cultural Heritage of the Russian Diaspora, Chief Researcher of Dmitry Likhachev Russian Research Institute of Cultural and Natural Heritage (Moscow)

Evgeni Steiner, Doctor of Art History, Professor of the Higher School of Economics (Moscow)

 

Nadezhda Kargopolova, PhD in Art History, Deputy Head of the Regional Department of the Russian Academy of Arts

ALEXANDER A. LAGORIO: MEMBER OF THE ASSOCIATION OF REVOLUTIONARY CINEMATOGRAPHY AND GERMAN CINEMA AND TECHNICAL SOCIETY. ON THE CAMERAMAN’S BIOGRAPHY  

 

Rustam Saifullin, veteran of “Prometheus” Institute (Kazan)

ON THE WORKS OF THE INSTITUTE OF EXPERIMENTAL AETHETICS “PROMETHEUS”

 

Irina Mamonova, PhD in Art History, Associate Professor, teacher, St. Petersburg State University (St. Petersburg)

AUGUST LANIN. POSTAPOCALYPSIS. COLOR AND MUSIC SPACE PROJECTS  OF THE 1960-S – EARLY 2000-S

 

Irina Sakhno, Doctor of Philosophy, Professor of the Chair for Theory and History of Culture of the Russian University of Friendship of Peoples (RUDN University), Member of the All-Russian Association of Art Historians (Moscow)

THE EYE IS LISTENING: COLOR MUSIC AND VISUAL PERCEPTIONS OF JAMES TURREL

 

Anna Koleichuk, Vladimir Dal State Museum of History of Russian Literature (Moscow)

TOTAL THEATER OF VYACHESLAV KOLEICHUK

 

Elena Fedotova, PhD in Physics and Mathematics, Bachelor of Theology, St. Andrew Biblical and Theological Institute

LIGHT AND COLOR AS PICTORIAL MEANS IN THE BIBLICAL NARRATIVE

 

Olga Schedrina, Bachelor of Cultural Studies, undergraduate of the Department of Cultural Studies of the Russian State University for the Humanities, Head of the PR Department of the Charitable Foundation “The Art of Mercy” (Moscow)

DIGITAL LIGHT AS A METHOD FOR SACRALIZAYION OF RELIGIOUS SPACES: NOWADAYS PROBLEMS

 

 

OCTOBER 19,2019 

Venue: Sergey Gerasimov All-Russian State Institute of Cinematography.

            Hall of Scientific Council

            3 Wilhelm Piek, Moscow

10.00-13.00 – Morning Session

Moderators:

Nina Kochelyaeva, PhD in History, Director of the New Institute of Cultural Studies, Leading Specialist of the Department for the Development and  Approbation of Methods of Cinema Education of Sergey Gerasimov All-Russian State Institute of Cinematography

Natalia Tolstaya, Corresponding Member of the Russian Academy of Arts, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

 

Liudmila Klyueva, Doctor of Art History, Associate Professor of the Chair for Film Studies of Sergey Gerasimov All-Russian State Institute of Cinematography (Moscow)

LIGHT AS THE MAIN IDEA CARRIER IN ART CONCEPT 

 

Denis Mylnikov, Researcher of the TV and Cinema Sector of the Russian Institute of Arts History (St. Petersburg)

LIGHT IN MOTION PICTURE AS PROPERTY OF THE REALITY AND FACTOR OF CONDITIONALITY          

 

Valery Arkhipov, Head of the Art Department of Sergey Gerasimov All-Russian State Institute of Cinematography (Moscow)

ARTISTIC FEATURES OF THE RED COLOR IN CINEMA 

 

Karina Karaeva,  PhD in Art History, teacher of the Modern Art program, the Higher School of Economics (Moscow)

COLOR AND DRAMA PALETTE OF SOME FILMS OF NICOLAS ROEG AND THE THEORY OF COLOR 

 

Anna Vorobieva, postgraduate of the TV and Cinema Sector of the Russian Institute of Arts History (St. Petersburg)

SEMANTICS OF COLOR AND LIGHT AS STRUCTURAL AND COMPOSITION FEATURES OF MOVIE PARABLE IN FILMS OF THE UKRAINIAN POETIC CINEMATOGRAPHY OF THE 1960-S-1980-S. “THE SPECIAL COLOR IN THE MOVIE “THE EVENING ON THE VERGE OF IVAN KUPALA”

 

 

 

Larisa Berezovchuk, PhD in Art History, Associate Professor, Senior Researcher of the TV and Cinema Sector of the Russian Institute of Arts History

THE FUNCTION OF COLOR IN MOVIE NARRATION : “THE PLAN OF THE DISCOURSE” (ON THE EXAMPLE OF THE TRILOGY “THREE COLORS” BY KRZYSZTOF KIESLOWSKI

 

Sergey Kapterev, Senior Researcher, Sergey Gerasimov All-Russian Institute of Cinematography (Moscow)

VISIONARY LIGHT, HISTORICAL LIGHT, WEIRD LIGHT, LIGHT AND COLOR DESIGN IN STANLEY KUBRICK FILMS “SPACE ODYSSEY of 2001”, “BARRY LINDON” and “RADIANCE”

 

Marina Toropygina, senior teacher, leading specialist in methods of cinema education of Sergey Gerasimov All-Russian Institute of Cinematography (Moscow)

PLAY OF LIGHT AND COLOR: PAINTING TRADITION AND PICTORIAL SOLUTION  OF THE TV SERIES “GAME OF THRONES”

 

13.00-14.00 – Lunch

14.00-17.00 – Afternoon Session    

Moderators:

Kirill Razlogov, Doctor of Art History, Professor, Honored Art Worker, Head of the Department for Development and Approbation of Methods of Cinema  Education of Sergey Gerasimov All-Russian Institute of Cinematography (Moscow)

Marina Toropygina, senior teacher, leading specialist in methods of cinema education of Sergey Gerasimov All-Russian Institute of Cinematography (Moscow)

 

Nickolai Naumov, Moscow Artists’ Union, Union of Art Historians (Moscow)

FROM PHOTON FLUX TO MUSIC, POETIC, MULTI-MEDIA FORMS

 

Evgeni Steiner, Doctor of Art History, Professor of the Higher School of Economics (Moscow)

COLOR PAINTING BY COLOR FORMS: FROM CANVAS TO FILM AND PIXELS

 

Lada Balashova, PhD in Art History, University of Essex (Colchester, Great Britain)

COLOR AND LIGHT CONCEPTS IN BRITISH CONTEMPORARY ART: NEW FORMS OF TRADITIONAL ARTS AND GESAMTKUNSTWERK

 

Kira Matissen, artist, curator

POSSIBLE STRATEGIES AND DEVELPMENTS OF CONTEMPORARY ARTISTS “INCLUDING” THE CORRELATION OF LIGHT AND COLOR IN CONCEPT MODELA OF ART EXPRESSIONS

 

Ekaterina Kalyuzhnaya, PhD in Pedagogics, senior teacher of the Chair for Management in Physical Culture and Sports oft the Institute of Physical Culture, Sports and Youth Policy of Boris Yeltsin Urals Federal University (Ekaterinburg)

COLOR SYMBOLISM OF THE “FIRE” PALETTE IN THE PRACTICE OF SHAPING FEMALE IMAGES OF MASS CULTURE

 

Svetlana Khlystunova, senior researcher of the TV and Cinema Sector of the Russian Institute of History of Arts (St. Petersburg)

COLOR CORRECTION FOR CREATION OF AN ARTISTIC IMAGE: POSSIBILITIES OF DIGITAL VISUAL EFFECTS

 

Konstantin Khudyakov, Vice-President of the Russian Academy of Arts

THE ART OF DEEP SUBMERSION. INNOVATIVE TECHNOLOGIES IN FINE ARTS  

 

Arthur Rynkis, artist, Riga, Lithuania

MY WORLD OF COLOR, LIGHT, MOTION AND MUSIC


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